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Sebastian Majewski: "right left with heels"

"Director/choreographer Michel and designer Charles A. Duncombe have created a marvelous evening of theater."

-Stage Raw

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July 8—August 14, 2016

Fridays, Saturdays 8:00pm; Sundays, 3pm; Admission: $25; Students w/ID & Seniors (65+): $20; Sundays “Pay-What-You-Can” (at the door only)
Box Office: 310-453-9939 / Purchase tickets online at Brown Paper Tickets.

Directed by Frédérique Michel
Produced by Charles A. Duncombe
Cast: Lindsay Plake, Alexa Yeames

right left with heels recounts the story of the Holocaust and post-war Poland from the ironic perspective of a pair of high heel shoes that once belonged to Magda Goebbels, wife of Nazi Germany’s Minister of Propaganda. The shoes, who may have inherited her racist point of view, tell their own story: from their manufacture in Auschwitz to their tragic end on the feet of a transvestite murdered by contemporary Polish “patriots.” Magda Goebbel’s wandering shoes provide a poignant and provocative insight into individual guilt and wickedness, and addresses accountability in the face of history from the end of WW II to today’s frightening rise of the new right.

Fourth Weekend Q&A July 31:
There will be a discussion with the cast and creative staff Sunday, July 31 after the 3:00pm performance. Don't miss it!

LA WEEKLY: GO! (click here to read full review)
Staged by Frédérique Michel with her customary bold and bawdy panache, the production features two female performers, Lindsay Plake and Alexa Yeames, who, dressed in teasing red and black costumes by Josephine Poinsot, cavort provocatively about the stage while saucily recounting a history of loss, pain and terror.

STAGE RAW Recommended/Our Top Ten! (click here to read full review)

...Director/choreographer Michel and designer Charles A. Duncombe have created a marvelous evening of theater. Their style is a distinctive, individual form of dance-theater, using a movement vocabulary that, in the present case, communicates immediately with gestures sometimes like seductive cabaret performance, always with a sense of the pair operating like a single organism — or like female acolytes in a wicked ritual. Those familiar with past productions will recognize common elements of design (hues of red and black in the costumes, vivid graphics as a backdrop) —the elaboration of a singular theater-language...


This project is supported, in part, by the Los Angeles County Supervisors through the Los Angeles County Arts Commission and the Santa Monica Arts Commission.






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"...Director Frédérique Michel and her collaborator, producer-designer Charles A. Dumcombe, are well within their element... Funny yet brutal..." -Hollywood Reporter