Jan 11, 2012
"Michel and Duncombe have... fully inhabited their new space with this production"—LA Stage Times
"Stunning and provocative production that leaves you asking questions as you leave"—CultureVulture.net
"An exciting production, beautifully mounted"—Stage Happenings
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Jan 5, 2012
LA Stage Times has a great feature story on City Garage's production of "Filthy Talk for Troubled Times" by Neil LaBute. The show opens January 6, 2012. Get your tickets for the show here!
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Dec 23, 2011
City Garage, working with LaBute, is presenting the play in the entirely new setting of an opening at a high-end art gallery.
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Research Archives
Nov 10, 2009
Rave Reviews for The Trojan Women
"The evening... reveals why theater matters." - LA Weekly
"A marvelous ensemble... this company watershed is a triumph." CRITIC'S CHOICE - LA Times
"A marvelous ensemble... this company watershed is a triumph." CRITIC'S CHOICE - LA Times
The Trojan Women
a new text for City Garage by Charles Duncombe
"The evening... reveals why theater matters." - LA Weekly
"A marvelous ensemble... this company watershed is a triumph." CRITIC'S CHOICE - LA Times
City Garage turns Euripides’s Greek tragedy inside out in an iconoclastic new version, both serious and comic, that takes the familiar plot and characters of the fall of Troy and recasts them in a fluid, dreamlike landscape. Traveling from L.A. to Darfur, and from past to present, this production uses City Garage's inimitable style to tackle issues of violence, mass media, the obsession with youth and celebrity, and the hypnosis of pop culture.
a new text for City Garage by Charles Duncombe
"The evening... reveals why theater matters." - LA Weekly
"A marvelous ensemble... this company watershed is a triumph." CRITIC'S CHOICE - LA Times
City Garage turns Euripides’s Greek tragedy inside out in an iconoclastic new version, both serious and comic, that takes the familiar plot and characters of the fall of Troy and recasts them in a fluid, dreamlike landscape. Traveling from L.A. to Darfur, and from past to present, this production uses City Garage's inimitable style to tackle issues of violence, mass media, the obsession with youth and celebrity, and the hypnosis of pop culture.
